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The novel's main point of interest is Levinsky's urge to integrate -- integration as: to acquire and master the functional culture of his new country. Consequently a lesson emerges for today's agenda in Europe: perhaps the European countries' incentives should be better structured to assure the creation of that kind of urge.
Incidentally, an immigrant Dane, Jacob A. Riis, was behind the contrasting depiction of the period, namely How The Other Half Lives. This book, and fellow Dane Jacob Holdt's later American Pictures are interesting both for their primary effect -- social illustration and enlightenment -- and for their secondary effect (or reception history) in Europe -- as building blocks in the continued, mesmerizing myth about the 'uncivilization' of the US.
See also this post on the role of culture for functional integration in Europe vs. the States.
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